It seems as though the previous representations of women or
the female in general in the cinematic world is extremely out dated, but has it
really changed that much?
Take the much loved Toy Story, the two protagonists are
Woody and Buzz, two male characters; the only female character I can recall
vividly is Little Bo Peep, the ever feminine female character. Now let's go
back further - who remembers The Hunchback of Notre Dame? Esmerelda as
empowered as she is, must still be rescued by Quasimodo and Captain Phoebus from
the wrath of Claude Frollo.
I recently felt a pang of nostalgia and decided to rekindle
my love for the Hunchback only to experience something I can only explain as
being a harsh awakening. This movie that I had once loved so much, to the point
of breaking the tape in the VCR, (yes, VCR I said it) was not as amazing nor as
innocent as I thought it was.
Source: http://billsmovieemporium.files.wordpress.com/2010/07/vlcsnap-2010-07-03-13h44m10s119.jpg
What surprised me most was this obsession with the persecution
of Esmerelda, the female protagonist, who drove Frollo to 'sin'. Illustrated as
the temptress, the woman who causes men to sin, the only way to avoid
persecution was to give herself entirely to Frollo, to become his woman, his
possession. So I have to ask - what are these films trying to say?
Perhaps it is that in order to be safe in society a woman
must be a possession of the man? This is not helped by the portrayal of the
'damsel in distress' figures we see in films.
Why do we never see heroic female figures in films which are highly influential to young children? Even though modern films such as
Tangled, a remake of the famous Rapunzel, depicts the heroine as empowered, she
still must be saved essentially by her male counterpart.
We're in an age where women are celebrated with International Women's Week and where a new feminist is born every day. I hope one day I will watch a film where a female protagonist heroically rescues the
male in distress from fire breathing dragons and things of a similar nature.
Until then however, I will continue to embrace the child
within, in the hope that I don't discover any more distressing facts about some
of my much loved childhood films.
By Farah Chowdhury (@seefaraway)
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